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CAUGHT IN THE NET 94 - POETRY BY
DEE RIVAZ
Series Editor - Jim Bennett
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Introduction by Jim Bennett
Hello. Welcome to the next in the series of CITN featured poets. We will be looking at the work of a different poet in each edition and I hope it will help our readers to discover some new and exciting writing. This series is open to all to submit and I am now keen to read new work for this series.
You can join the CITN mailing list at - http://www.poetrykit.org/pkl/index.htm and following the links for Caught in the Net.
All poetry is the copyright of the poet and must not be
reproduced without the written permission of the poet.
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|
Only the ear has it, curling around the outer edges of consciousness;
a mild tinnitus hopping up and down for attention.
from; One Bird by Dee Rivaz |
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CONTENTS
1 - BIOGRAPHY
2 – POETRY
Maidaid Halcyon C 500
The High Commissioner’s Wife
One bird
The mouse:
Rhydymwyn Valley Works
Hunting Books
Woman Cursing the Moon
What to do with a puffball
Spirit of Bird
Beach rose
Carefree
3 - AFTERWORD
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1 – BIOGRAPHY:
DEE RIVAZ
Mixed
media artist and writer
Falmouth
School of Art 1971, Foundation. University College London 1978, Jt Hons
B.A. Anthropology and Linguistics. University of Wales Newport
2001, PGCE
Freelance
Arts Practitioner since 2006
Portfolio:
‘In Her
Element’ Gwasg Honno Press (anthology of women and landscape), Poetry Kite,
Writers’ Forum, Poetry Power, Clwydian Range, Welsh Libraries: Express
Yourself, How Not to Cook Book, Cross Border Poets’ Poster Poems, Ink
Sweat & Tears & various other publications and stuff.
Memberships: A-N (Organisation supporting visual and applied artists.)
NAWE -National Association of Writers in Education. LAPIDUS Organisation
promoting reading and writing for health and wellbeing.
Statement:
I am most
excited by the early stages of the creative process. My concern in
both writing and art workshops is to help people to explore ideas with a
fresh eye and a fearless mind and I try to maintain this playful approach in
my own work.
Website;
http://www.deerivazstuffstore.co.uk/
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2 - POETRY
Maidaid Halcyon C 500
Sleek, grey, small
discreet, with its shh and no fuss;
on the signal performs
a tarantella so intense
it must be contained
in steel; the heat and pressure
such, that when the box is opened
steam escapes like a trapped beast
fleeing the scene:
glass, china, steel,
prepared for fresh butchery.
___________________________
The High Commissioner’s Wife
When we arrive, shaken,
Mrs Brown is stitching snippets of news
from murmurs on the radio.
Suddenly white noise turns
to screech, thump and someone
declares the station taken.
Mrs B stiffens, stands and turns it off;
She offers something to drink. Or,
it’s so hot, a shower perhaps?
Silhouettes slip through the window
as water cascades over white tiles and red
laterite streams from my skin back to Africa.
Through the thin walls, I hear knocking;
cover my nakedness and call out, Mrs Brown!
Mrs Brown! Someone’s at the door.
She says there’s no one.
She says it’s mortars and
shall we have tea
or something cold?
___________________________
One bird
There is no evidence
of animals here
except one bird
pipes music through
tangled leaves
past the bully wind
into this cell,
a scurry shadow.
Only the ear has it,
curling around the outer edges
of consciousness;
a mild tinnitus
hopping up and down
for attention.
When the wind
drops its grip
you can hear it, still
as a cornered mouse.
___________________________
The mouse:
a flicker dash
across the step;
cornered,
exposed,
unafraid;
eyes me
with a single
rain glazed berry
of black,
then zig
zags away
into
the
night.
___________________________
Rhydymwyn Valley Works
Nothing exploded here but
in this valley of once toxic acres,
a drip crash-lands on a concrete floor,
loud as a bomb in the derelict space.
Ghosts insist this is still a place for secrets,
even now: no paper, no loose talk.
Sycamores joke with the wind, shake
fists of keys: nothing new to unlock.
An anxious pheasant tensions her legs
once, twice; uncertain, bungles take-off
in a fluster of khaki shades and shadows
of stories haunting these paths.
Autumn flames, tossed by the late sun
set a fuse the length of the valley; race
from white-gold leaf to scarlet berry,
White-letter Hairstreak, lizard, jay;
flash through broadleaf-trees and helleborine;
redeem, bless and cauterise the past.
___________________________
Hunting Books
My father and I didn’t talk much
simply because my father didn’t talk much
to anyone about anything other
than rods, flies and the wiles
of Brownies, Rainbows, Grayling
and Pike. But on Fridays we’d go
hunting in the library; him and me,
stalking the shelves for one
that got away last time.
I remember how it was
like stepping into the Tardis,
the walls of our small-town
house of books, bursting at the seams
with shafts of light streaming from pages
as covers opened doors to other worlds,
and we’d be lost to each other,
on different quests, until we met up
light-years, continents, planets later,
to check out our treasures and
walk home side by side,
miles apart, dream companions,
our hunters’ bag between us.
___________________________
Woman Cursing the Moon
(After Miroslav Holub)
Someone
just climbed to the top of the hill
and started cursing the moon:
stupid moon, stupid fat-faced moon,
fatuous copy of a pregnant belly;
beachcomber mauling the tideline;
creeping ghost of a snail
obscuring the stars with its slimy trail;
anorexic cheese,
starving itself almost to death;
satellitic sychophant,
trying so hard to be pale and interesting;
trailing around after the sun, sucking in its stomach;
fiddling with the sea, interrogating caves
month after month;
insomniac, playing with itself;
moon, you barren dusty rock of a womb -
So for a while she cursed the moon,
which stroked her head
like an anxious mother.
Then she came down and threw
nettles, oat straw, skullcap, hips
into the moony pond.
There you are, Moon, she said
and went on her way.
___________________________
What to do with a puffball
Kick it.
A flower?
Pick it.
Land?
Sell
(or buy) it.
Space?
conquer it.
Air?
Smoke it out.
Fish?
Fry it.
A bird?
Cage it.
People?
Beat them.
Water?
Piss in it.
A box?
Open it.
A white page?
Write on it.
___________________________
Spirit of Bird
I am everywoman’s
adaptable blue jay,
I know the proper use of power.
I am mystic crow, affectionate duck,
a shaft of eagles, score of finches,
I am the questing goose, the sacred grouse.
I have a heron’s balance,
the tireless joy of hummingbirds,
the proper intelligence of magpies,
the lucid dreams of penguins.
I have the common nobility of a sparrow.
I can spot danger like a quail,
shift shapes, and like the raven,
play with wind. I have
the swallow’s proper perspective,
a vulture’s renewed vision,
the boldness of a wren.
I am your salve and invocation,
the grit in your crop,
your quill.
(Native American bird meanings from All Nations Trading: North Carolina)
___________________________
Beach rose
Rosa rugosa
too sweet to forget; the days
held fast in salt spray.
___________________________
Carefree
Down the corridor a shriek
of laughter echoes: bloody
bloody, bloody, bloody,
bloody hell, Dolly! You’re a case,
and no mistake. Give us a kiss.
Come here and let me love ya.
I can smell urine and lilies.
Clouds snag on Brynhyfryd: Beautiful Hill,
I don’t want to turn from the window,
but a cough’s scrambling around
among the ashes in her throat.
I want to get out before
she says get me a cuppa love,
find me a clean vest.
I watch her hands flutter up
from their weak purchase on the blanket,
they fall back like spent birds and
I wish they could fly again.
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3 - Afterword
Email Poetry Kit -
info@poetrykit.org - if you would like
to tell us what you think. We are looking for other poets to feature in
this series, and are open to submissions. Please send one poem and a short
bio to - info@poetrykit.org
Thank you for taking the time to read Caught in the Net. Our other magazine s
are Transparent Words ands Poetry Kit Magazine, which are webzines on the Poetry Kit site and this can be found at -
http://www.poetrykit.org/