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CAUGHT IN THE NET 148 - POETRY BY MARIAN FIELDING
Series Editor - Jim Bennett for The Poetry Kit -
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He knows when her curtains are open they see her, the light shining down on the twist of her hips. She knows that they're drooling like dogs when they stare and she laughs when her man says, 'Stop. I can't take this.'
from Terraced House Performer by Marian Fielding |
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CONTENTS
1 - BIOGRAPHY
2 – POETRY
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THE PHLEBOTOMIST OFFICE NIGHTS OUTPATIENT APPOINTMENT 11.40 AM THE TIME A VAMPIRE CAME TO HAVE HIS TEETH FIXED NOT ME VIEW FROM AN ENGLISH WINTER THE PEA RED CROSS INSPECTION OF THERESIENSTADT CONCENTRATION CAMP JUNE 23rd 1944 TERRACED HOUSE PERFORMER THE VEIL |
3 - PUBLISHING HISTORY
4 - AFTERWORD
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1 – BIOGRAPHY: Marian Fielding
Marian Fielding was a probation officer in a previous life. She has also been an actor, performing a one woman play for Unity Theatre’s comeback and was in a short film, AK (2012). She has had several short stories published. Her poetry has been published in various magazines and she was a featured reader at the Café des Arts, Guildford in 2013. She was commended in the Poetry Kit summer competition 2014 and two of her poems won joint first place in the North London Literary Festival iPoems competition 2015. She was commended in the Hippocrates Prize Competition 2015.
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2 - POETRY
THE PHLEBOTOMIST
The phlebotomist is bored
With taking blood. It’s all he does.
He has no vampire aspirations
And no promotion prospects either.
OFFICE NIGHTS
After the last straggler has fastened
her coat, switched off the lights
and much later the cleaner has roared
and crashed round the desks and poured
bleach down the bowls in the unisex loos,
the computers catch their breath,
the phones relax their throats
and the photocopier closes an exhausted eye.
Pens stand like soldiers in boxes
or lie where they fell, and shut into drawers,
sandwiches fester. Rows of blank screens
reflect. In the store room
(where Eva swore Mr Payne touched her,
though he denied it,)
sheets of white paper dream trees
and silences ripen.
OUTPATIENT APPOINTMENT 11.40 AM
He leans deep over me; his breath, cool
as an anaesthetic, blankets my dread.
He does not speak. I sense his rule
of silence and my questions fade.
His warm palms touch my neck,
palpate my glands. His eyes,
half-closed, conceal what is at stake.
His hands draw down towards my thighs.
‘May I?’ His fingers check my groin.
Against my will my body starts to tense.
He moves away, leaves me alone,
the coldness of the couch is all I sense.
He's scribbling in a file. I'm in a chair.
He turns a page. I float my mind.
The unsaid saturates the air.
The pen is black. I watch his hand.
THE TIME A VAMPIRE CAME TO HAVE HIS TEETH FIXED
He was particularly polite. Paused
at the door and waited to be invited
inside. I have to confess
until he opened his mouth
(that's when I fainted)
I was extremely impressed
with his sleek black hair, very expensive suit
and powerful handshake.
I thought he was really cutting edge.
NOT ME
Outside the greengrocer's the other day
a stranger holding a single red rose
smiled and advanced in my direction.
It was like that advertisement for specs,
where the girl running towards her lover stops
and kisses the old guy just in front of him.
The man with the flower wasn’t good-looking,
in fact he was rather dumpy. But when he marched right past
I was surprised to feel my solar plexus plummet.
Suddenly, there I was, thirteen years old again,
pale blue
being chatted up by a boy at my new youth club.
The next week I went back, he waved across the room
and I responded, heart hammering.
You already know what happened.
VIEW FROM AN ENGLISH WINTER
I had a friend, clear skinned, pink cheeked,
a science teacher.
She met a man on holiday in
on a beach; he smiled, she blushed.
She spoke no Turkish.
He didn’t speak a word of English.
He was a carpenter.
I warned her that it wouldn’t last.
I stayed with them four months ago, in August
Their villa overlooks the sea and in their garden
jasmine twines around juniper.
He has erected shelves where they display
photographs of their two cats
three daughters
and five grandchildren.
THE PEA
Dear Mum,
I don't know how it happened -
I made the bed
the way you taught me,
meticulous to the point of perfect symmetry,
smoothed the silk sheets
calmed the wrinkles with my palm
honed hospital corners straight as glass -
a treat for the tenderest arse.
No one's ever complained before.
So how did it happen?
I say that so-called princess, lady la de da
must have invented it, lock, stock and leguminous barrel.
Marriage was on her agenda
and that's what I told my employer,
but he took offence
and now I'll never get a decent reference.
Love Brenda
Dear B,
Am so sorry, but don't worry,
I've got you a job!
The seven dwarves next door,
tell me they're desperately short of a cleaner
since their last one ran off
with some toff.
Love
Mum
RED CROSS INSPECTION OF THERESIENSTADT CONCENTRATION CAMP JUNE 23rd 1944
What were their thoughts, those musicians
scaling the heights of Beethoven, Wagner?
Concealed so near them, friends and families,
thousands crammed into buildings, sick and starving,
dying like vermin.
Did they play like angels in the hope that each
singing string would keep them alive
one more day? Perhaps, in spite of themselves
they made their violins weep to the dark pulse
of Death and the Maiden.
All those years of passion and discipline,
honing their skills, come to this: to be forced
on this day of deception to fool the inspectors,
perform among garlands, masking
the smell of the dead.
TERRACED HOUSE PERFORMER
Come watch this woman who dances like silk -
how she lifts her arms high and entrances,
look at her man whose belly just burns
when he sees all those shadow men lurking.
He knows when her curtains are open they see her,
the light shining down on the twist of her hips.
She knows that they're drooling like dogs when they stare
and she laughs when her man says, 'Stop.
I can't take this.'
Nothing will stop her, she thinks in her glory
nothing can stop her enjoying the game
nothing can stop her whirl through the kitchen
not even the smell of the roast turned to ashes
not even the sight of the blade.
THE VEIL
I don’t flatter myself;
she only picked me because I'm short.
Her husband's funeral and she doesn’t want me to reach
all that unblushing flesh.
Though I stretch and stretch I can't conceal
those insistent breasts. She should be ashamed.
If I had eyes I'd cover them.
THE PHLEBOMIST – Published in South Bank Poetry 2014
OFFICE NIGHTS – Published in South Bank Poetry 2014 and in The Keystone Anthology 2015
OUTPATIENT APPOINTMENT 11.40AM Commended in the
Hippocrates Prize Competition 2015 and published in The Hippocrates
Prize Anthology 2015
THE TIME A VAMPIRE CAME TO HAVE HIS TEETH FIXED – Published in The Interpreter’s House 2011
NOT ME – Published in South 2014
Published in Pop Up Anthology 2014
VIEW FROM AN ENGLISH WINTER – Published in The
Interpreter’s House 2012 and in The Keystone Anthology 2015
THE PEA – Published in The Interpreter’s House 2012
Published in Pop Up Anthology 2014
RED CROSS INSPECTION OF THERESIENSTADT CONCENTRATION CAMP JUNE 23rd 1944 – Published in
Second Generation Voices 2014
TERRACED HOUSE PERFORMER – Published in South Bank Poetry 2013
THE VEIL – Winner of North London Literature Festival iPoem competition 2015 (in a slightly shorter version
4 - Afterword
Email Poetry Kit -
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to tell us what you think.
We are looking for other poets to feature in
this series, and are open to submissions. Please send one poem and a short
bio to - info@poetrykit.org
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are Transparent Words ands Poetry Kit Magazine, which are webzines on the Poetry Kit site and this can be found at -
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