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CAUGHT IN THE NET 157 - POETRY BY WILL DAUNT
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He hears a mill-race drown the name he chose
and summers from his twenties, stretch beyond
stuffed pastures, orchards falling in a glut
or cracks in farmyard plaster. Dark as veins,
from Losing The Habit by Will Daunt |
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CONTENTS
1 - BIOGRAPHY
2 – POETRY
Mist Over Eigg
A Lancashire Glen
Surfacing
Northern Cords
July, 2006
No Network
Bag Of Bones
Munich Airport, 1958-2008
Graduation Day Losing The Habit |
3 - PUBLISHING HISTORY
4 - AFTERWORD
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1 – BIOGRAPHY: Will Daunt
Will Daunt lives in Ormskirk. His first two chapbooks were published by C.P.R.
on the Isle of Lewis at the turn of the Millennium. Since then, he has published
six poetry collections, including Running Out Of England (Oversteps),
The Good Is Abroad, Distant Close and Landed (all Lapwing).
Powerless, published by Indigo Dreams, was a winner in their 2009
Collections Competition.
Will has previously reviewed for Envoi and New Hope International.
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2 - POETRY
MIST OVER EIGG
Enough has come to come away,
a smokescreen holds the hill.
Roofs will rust and stoves can blaze
with brambles. Sedge and heather
come like a cloud below the outcrop,
low enough to soak a living.
Nowhere to drive. The outlines of van
and trailer last, where Gaelic
marks the summit, headlands, lochs,
every signpost now awry.
Visitors largely the want the way
to sands that sing. Enough have come
to flush out history:
mist over land, becoming enough.
A LANCASHIRE GLEN
Summer’s an odd clough, as dark as they numb,
or a peel of blue
wrung from sponge-slopes. Cold heaven.
Summer’s the stone path, pebbled to mulch point
or inside a lee
of forgotten fields, buried here.
Summer’s those hogweed, cut loose in the dogmire
and waving aloft
like a standard, that routed earth.
Summer’s the moss, flaking out of the sand-side
and every lit icon
of somewhere undrowned, or its sound
in this summer -shorn niche out of water.
I hear where it hurls
as it widens for winter, the same grid
and ground,
unfound by the map-gang.
SURFACING
A patch of days brings all they ordered here:
warped signs, a straggled line of cones
and noise to keep abreast of great machines.
A lava road, or lolling tongue of heat
rolls up before each slim, pathetic drive,
where homes have hardened, flat against
Lancastrian plumes of sky. Hard up
and sheer, in its new bonding gleam,
the tarmac seals our fifty homes again,
as close as they were hardly far apart.
NORTHERN CORDS
I can see myself lost on a northerly shore,
with fishing boats hung on the swell, lifting breeze
and a sense of what our tiny lives might be for.
And winter's a stint on the work-blasted moor.
In its clung-over scrub, trudging up to our knees,
I can see myself lost on a northerly shore.
Those low crofts and becks' gravitational draw
stitch peat-scapes of hope, colliding with trees
and a sense of what our tiny lives might be for.
Far from beach caves and stalled by a different roar
in the concrete dunes, swept with petroleum wheeze,
we see ourselves lost on a northerly shore.
With our eyes wet with wind, and ears smugly sore,
it’s easy to dream we could weather the freeze,
with a sense of what our tiny lives might be for.
Where’s winter best spent: at the cold, Celtic core,
or scrawled in some urban parentheses?
Better losing the self on a northerly shore,
with a sense of what this tiny life might be for.
JULY, 2006
Those days unpicked the days
when roads were molten, smelt like flesh
and wizened stuff fell out of trees.
Home-timbers swelled and shrank as tides
in far, imagined seas
and many drew their own equator.
Undogs rolled in hard-caught shade
where hoses snaked about
and coarse lawns grilled to tinder.
Evenings stalked tough afternoons
becoming homes of languid fun
where offices were gardens, and
likewise, air-conditioned lives
turned up the dial, cooled down
and turned it higher. Always higher.
NO NETWORK
There is an instant of panic and bliss
when the migrant in more of us checks
their pouch, unslides a screen or keypad
and reveals a sudden signal loss.
It'll go in the strobing underground
or stutter in stony cells or squares
and give up the most in a hole of hills,
but worst and best of all is at dusk
by a quayside of texted, loud goodbyes:
some gangway which hauls our partied pairs
at diagonals to their everyday -
that nattered, flattering froth, and then
clouds clear and seas turn cream. Stern first,
these peeling ferries face recurring
islets, headlands, inlets, peaks and lochs
that silence such pathetic phones, and fuss.
BAG OF BONES
The medic tends relations back at home
with sundry texts and files, three times a year.
She'll bring the usual clutch of plastic sacks
and disks and spines that slip and poke like limbs
and wait to come to light, littering the house.
She'll nurse the clan with tales of labs and lads.
This bag's a tipped out, resin skeleton
decapitated, maimed beyond repair
and that's the fun: which joint, called what, goes where?
One jawbone rattles oddly: 'It's for real!'
and it once ate and spoke and kissed, came from
a belly full of legs and arms, like her.
MUNICH AIRPORT, 1958-2008
Planes, compact as Airfix, stall
while larger players jostle, roar
and run away everyway. We stop dead.
Fields as good as gone extend,
executed like an English park
and empty as a church yard.
A world at grass waits to cut loose,
aloft. And guess who's next:
a solid jolt, and steel and rubber
beat the tarmac. Breathe in diesel.
Distance glazed, this tilts and slides,
yet heaven's safe, and soon
the map of hamlets clears below.
In that happy space, recall
thin, hidden scars of Manchester
alive and lost beneath, for fifty springs.
GRADUATION DAY
It took six months to bury her
and on a day in that wet June
we drove towards the churchyard where
her villagers had scraped a tomb.
The village had not known her when
she scavenged up the 505
or poked around the Norwich road,
nor how she lived to keep alive.
A few would see her scurry up
the slip road, to its planted bank
and stoop towards the needled earth
which wandered to her frugal camp.
They found it that November, what
had grown into her home, but then
one summer dawn, became small news:
a dead room, shaped by shelves and tarp
and simple signs of how to eat
and read alone, where purring cars
would wake her days and help to brake
starvation, cold and creaking years.
And in that autumn den they found
a neat, dry shroud of bones, whose mould
was left in mulch and kindling
by
the form fillers and uniforms.
Time staggered through its rigmaroles
of looking up who Sally was,
but she had never bothered cops,
or registrars or dentists’ chairs.
We drove beyond the churchyard with
a child to see, degree to get,
and guessed her plan: a dugout, priest
and - none the wiser - local souls.
LOSING THE HABIT
1
But if she quit tomorrow, would she miss
the valley rolled out like an underlay
of flood and fencing, herring gulls and calves,
pinned back through Lent and threadbare to the touch?
Or if today that poplar hem was scourged,
with its reluctant thickets, like her loved
but fraying faith, could she patch or revive
new slopes of primrose, aconites
and stranded snow, which
yesterday were sewn
up melting verges? Quickly now, they stain
with passing dust and debris, as she hears
more jeers from firmer journeys, short and sure.
2
He hears a mill-race drown the name he chose
and summers from his twenties, stretch beyond
stuffed pastures, orchards falling in a glut
or cracks in farmyard plaster. Dark as veins,
they seal and seethe with layered schemes of slug,
wood louse and ant swarms, distant as a vow
marked out in acne, but as close as draughts
that infiltrate the Chapel where he might
once deign to pray, to set aside or save
some relics from his mission: stunted buds
in pillbox ivy; churchyard garlands, limp
and large, or copses marred by mistletoe.
Collections:
Lancashire Working (Kite Modern Poetry, 2003)
Running Out Of England (Oversteps, 2004)
The Good Is Abroad (Lapwing Publications, 2006)
Distant Close (Lapwing Publications, 2008)
Powerless (Indigo Dreams, 2010)
Landed (Lapwing Publications, 2013)
Chapbooks:
Houses Dim (C.P.R., 2000)
2000 Tales Of Love, Rewinding (C.P.R., 2001)
Town Criers/ Town Fliers (Self-published, 2015)
Poems have appeared in:
The Affectionate Punch, Anon, Assent, Avis, Bard, Carillon, Citizen 32,
Sarasvati, Envoi, Iota, Krax, Links, Neon Highway,
A New Ulster, Orbis, Pennine Platform , Poetry Cornwall,
Poetry Monthly, Pulsar, Purple Patch, Sentinel Champions, Sepia,
Smoke, Time Haiku
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4 - Afterword
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