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CAUGHT IN THE NET 193 - POETRY BY
POLLY GIANTONIO
Series Editor - Jim Bennett for The Poetry Kit -
www.poetrykit.org
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|
My go-to shirt is the one
Jenny wears when she reads "Warning"
off-white, rows of tiny tucks along buttons
that stop below my breasts
hidden in generous folds of fabric
thin like my skin, slightly see-through -
from The board game by Polly Giantonio |
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CONTENTS
1 - BIOGRAPHY
2 – POETRY
|
The board game
Haibun
When painting absorbs me
Anna’s mom
Hello Dirt
Slipping away
love and hate
God’s walk with Hitler
Most likely it is early May 1955
Self portrait on my body
|
3 - AFTERWORD
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1 – BIOGRAPHY: Polly Giantonio
Polly Giantonio lives in Vermont, USA. Her search for harmony and
meaning as a teenager began her on a journey of unconventional adventures. Her
dive into creativity began when she explored the depth of her dreams through a
Jungian lens. Her passion for writing and poetry began 12 years ago, and in the
last three she has focused more time on poetry. Jim Bennett has been
instrumental as a poetry mentor through his ability to encourage and prompt her
in exploring the range of her writing. Her work has been published in Poets &
Writers, and in various poetry journals.
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2 - POETRY
The
board game
My
go-to shirt is the one
Jenny
wears when she reads "Warning"
off-white, rows of tiny tucks along buttons
that
stop below my breasts
hidden
in generous folds of fabric
thin
like my skin, slightly see-through -
so
when I visit the kids
I wear
the shirt
forget
my dress
(that
hugged my then-very-flat-belly)
and my
Italian-leather cowgirl boots retired
from
the rodeo, hoots, hollers,
the
blacksmith's heat
and
the field-flower bouquet he picked,
dried,
hung still fights against time
when
the kids and I gather
around
a board game
their
minds razor through complex moves
steps
ahead of me
their
eyes clear like a desertscape
(I was
there once when the desert bloomed
my
cowboy around the campfire
naked
ass lit by the fire
his
long tool snaking up my muscled thigh)
the
strategy is lost in my mind
it
isn't because I need new glasses -
I toss
back the shooter of vodka and simple syrup -
my
vision warns me of a point ahead
we're
soldiers in this game with a shared goal to win -
the
kids see possibilities
the
vanishing point
is all
I perceive
Haibun
Farms,
fields, and forests weave through the Green Mountains of Vermont. Their shapes
and inhabitants have escaped the geometry of suburbia. Tonight in this field,
the air is like a heart when it stops beating. The sky is a winter lake. Stars
mimic snowflakes scattering in a storm.
stars
sparkle like snow
a
moose runs through a field
air is
frozen in silence
Solar
panels stand shoulder-to-shoulder like an army of marching columns with their
sole purpose to seize power. Their dark energy displaces wildlife like autocracy
polarizes friends. They reduce the terrain to order.
a
black battalion
a
field of floating panels
displace the wild life
When
painting absorbs me
Mother's precise lines, flat palette
dull a
face,
muffle
a stream. Paint,
she instructs
but I would lose myself anyway
on a canvas she began.
She
lunches with friends - fine wines. They laud the depth and
colors of her latest alla prima portrait
painted
by
me.
Before
I could read,
light in Vermeer's paintings,
hair curls by DaVinci,
shadows,
folds of fabric
fascinated me.
Colors p u l s e
in my eyes constantly -
the warmth of a lip, through the tip of my
brush a muscle moves
a smile
how -
facial tones come naturally.
I blend a tone of blue, a vein at the edge
a woman's eye.
Today
Mother watches me as I finish, her tight mouth curves
- without a word, she takes the brush
from my hand
and signs her name.
Anna's
mom
if she
had looked
she'd
see her naked breasts
size B
or C, legs lean
like a
thoroughbred
did
she know - in 1935 -
that
Depression teens spread their legs
for
fun (not just over a horse
during
dressage)
had
she ever heard herself groan?
was
she allowed without a driver
a
chaperone who told her
say
no, no, no
Anna
would've told her mom
to
ride unsaddled - nothing between
your
groin and the horse's back -
when
you're in the dark barn
undo
your braid, damp riding-britches,
Anna
would've said,
and
make love unbridled
to dad
like that
Hello
Dirt
I've
thought about you a lot recently -
want
you to know I'll be visiting in a month or so
not a
short-and-sweet, but semi-permanent.
I've
discovered a waterfall, part of your estate
on the
west end - (it's not Niagara Falls
but
the size that flows from a forest creek
over a
grand rock to a pool fit for a child
or a
ripened body) - where the sunset adds
an
orange-pink during the golden hours.
I'll
bring only a few things - nothing that will disturb
your
aesthetics. We've not spent much time together
though
we've talked when I'm digging with my shovel -
like
when I made a home for the new peony last Spring -
or
when I dug the hole for the fringe tree
and
mingled my dog's ashes with your soil. It was as if you
wanted
her in that spot where she could breathe and meet
other
creatures. The tree thrives.
Remember I told you how kind of you to provide her
a
place where rainwater would quench her thirst?
That
reminds me of why I'm writing you now -
to
thank you in advance for the hospitality
you'll
extend to me - old friends have said
you're
a generous host to long time guests.
I'll
be quiet and still, I promise, while I rest.
Slipping away
sand
from the shoreline
vineyards lost to fire
glaciers from Antarctica
a mink
into water
a lock
of hair down the drain
she is
slipping away
with a
word she can't recall
an
image out of reach
overcome by pain
alone
in her fear
she's
crawling into a cave
with
valium and nightmares
wine
slips down my throat
like
placenta after birth
love
and hate
I've
often wondered about a poppy's voice
as I
watch wind ruffle its red petals
I
imagine I'd hear a woman singing in waves
like a
cello playing a Dvorak concerto
waves
knocking against a boat
inseparable from the ocean
the
song would take me - far away
from
the machine-gun blasts that will not retreat
from
explosions bursting through nerves, screams
that
creep into dreams, cries that fractured nights gone by
the
song would play that day into the next
move
like blood through veins
to the
heart where it becomes bold
and a
new rhythm would splay me open
God's
walk with Hitler
a red
fox chills the air with its screech -
the
two stop where the river splits
a
bodice hugs her ripe breasts
that
rise like wings with breath
her
skin assumes a caramel glow from the moon
his
shark's gray skin, a camouflage
his
bat-like eyes avert her gaze
a
second screech warns - his presence
unearths demons from the depths of Earth's core
an
army, greater than Sauron's or Ravan's,
eliminates lives like a machine pulverizes waste
he
impassions them to believe they're supreme
her
round belly pulses with a movement in her womb
I am a
virus, he says in leaving,
that
will mutate and survive
most
likely it is early May 1955
on the
night I was conceived
she
waltzes with grace
his
fingers snap to the swing
her
feet jive with ease
away
from 5 children
and a
barn of animals
does
he lead her through the love act
as he
led her to the dance floor
palm
outstretched,
his
blue eyes sinking into her
on the
night I was conceived
is she
stiff, randy,
or
uninspired
does
she touch his sex
does
he go down
or was
that perverse
is it
quick, does it hurt
do
they wipe away
their
pleasure or relish
damp
sheets and skin
on the
night I was conceived
does
he fall asleep
inside
or beside her
does
she lie awake wondering
what
was the flicker
in her
pelvis that died
I like
to imagine her
after
making love
pleased though not sure why
on the
night I was conceived
Self-portrait on my body
Between 3-4 a.m., before a snowplow rumbles by, a tail flicks
my
left clavicle, ripples around my neck to the right
where
the panther's paw clings to my sternum -
her
sleek body a shield for my Caucasian chest,
our
ribs expanding as I breathe.
When
I'm still, her head rests at my navel,
nose
nudges a cub that tumbles across my pelvis,
its
brother rolls in a ball across my right thigh
toward
the left flush with orange-gold wings
of a
butterfly in flight whose antenna acts
as a
brush painting a zinnia pink.
A bee
on my hip buzzes upward where the head
of a
red poppy bows with rain drops falling
into
pearls whorled around back
by a
wind-cloud. Some ripen as apples, others
scatter around roots beside the babbles
of a
sacrum stream, blue as my eyes.
The
tree trunk travels my spine, its branches arching
one
side to the other. As I stretch my arm up,
a moon
rises on the deltoid at dusk.
My
hair curls like dried miscanthus,
platinum-gray strands
in
untamed disarray.
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3 - Afterword
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