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CAUGHT IN THE NET 98 - POETRY BY
SHARON BLACK
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I cannot cut holes in your silences, turn them into star-shaped flakes like paper doily decorations, line your windows with them, hang them in the naked trees.
from; The Magician by Sharon Black |
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CONTENTS
1 - BIOGRAPHY
2 - POETRY
Equinox
First Trimester
Bunker
Fibonacci Takes a Walk to Clear His
Head
No Magician
Palomas
The First Cup
Pilgrimage
The Gift
3 - PUBLISHING HISTORY
4 - AFTERWORD
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1 – BIOGRAPHY: Sharon Black
Sharon Black is originally from Glasgow but now lives in
the remote Cévennes mountains of southern France.
She has been published
in various magazines including Mslexia, Envoi, Orbis, Agenda, The Interpreters
House and The Frogmore Papers, and has won several poetry prizes including The
Frogmore Poetry Prize 2011. Her first full poetry collection, To Know Bedrock,
is published by Pindrop Press this month.
www.sharonblack.co.uk
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2 - POETRY
she gulps peach slices and tinned pears
cured meats and memories preserved in brine
she gulps Jaffa Cakes
and slabs of processed solitude
she is in a lavatory
in a cold room
on her lunch break
at six minutes past one
she does it quietly, steadily
because no-one’s told her to
because it weighs her like ballast
because it fits like a straitjacket
it tastes of habit,
of sugared almonds,
of sleeping pills
and warm milk
of something that once flowed abundantly
but she kept to herself
like a fresh cut.
______________________________
All night she
tracks the moon
through the
mulch of sky,
watches it wick
from feet to pelvis.
She lies as
still as silver, offers
the banks of her
body
for its
consumption.
Beyond the
window, night creatures
shuffle in the
cut grass.
Soon it will be
harvest.
High water.
Howling leaves.
_______________________________________
my mother in her
bedroom
slipping on a
nightdress
her voice as thick as cream
the muffled drum of her heart
and the
streaming of bubbles through long narrow spaces
lying on her back
head raised on
pillows as if she is looking down on me
despite the blankets
despite the dark
despite her closed eyes
a story is
already unfolding
me face to face with the moon
remembering its
cool tug
my mother standing beside me
staring out at
the stars
she is dreaming a car trip
my father at the
wheel
her hand on his left leg
her thoughts
threading him
and the road’s slow glow
her thoughts
weave me too
these delicate raw parts
binding me in
her silences
looping her dreams into knots
and tying them round me in beautiful chains
___________________________________
(after Tube Shelter Perspective, 1941, by Henry Moore)
My boy is sleeping now, his warm breath
lapping on my chest. I shift
on concrete, pull the blanket up around our necks,
my feet away from cold steel rails
that stretch into a deeper black than here.
Nothing to tell the night from day
except the stilted sway of sleep,
the hush of intimacies, and in the distance
a mother's voice riding the tide:
bye baby bunting, daddy’s gone a hunting…
There's comfort in these strangers,
pressed together like hands in prayer
below the streets of London. I rock
the plumb weight in my arms
and
think of planes whining
through the shell-shocked city sky:
within each cockpit, a young man
with a girl back home, in whose plumpness
he longs to sink, to dream
of days as bright and rare as oranges.
____________________________________
The question spirals down his throat
and lodges in his ribcage.
It is conch; a flowering artichoke;
a cochlea that hears only pulse.
It speaks a seaborne dialect. It speaks
of gases compressing, of stars
seeding like sunflowers, of the origin of salt.
It speaks of the trails of ancestors
dragging themselves from the surf;
a shedding of fins, scales, monocular vision.
The question turns again
and hooks in deep.
As he wanders the cathedral gardens of Pisa
he sees it in everything.
The tower straining for it. He feels
its pressure when he inhales:
a bruise, a colour breathing into life,
the small ache
of coming back to himself
while spinning
further away.
__________________________________
I cannot sketch these walls in colour,
paint reflections into household things,
transform your pale fingers
into exotic dancers
across the stage of the breakfast table.
I cannot cut holes in your silences,
turn them into star-shaped flakes
like paper doily decorations,
line your windows with them,
hang them in the naked trees.
I cannot sew beads into the sky,
embroider a moon from silver threads
to turn your view into
something more than simply winter;
I cannot pull bright silks from my sleeve.
I have only this threadbare jacket,
its pockets filled with words,
all of them white rabbits,
all of them hopping
invisibly
into the
snow.
_________________________________
Palomas
He ekes words
from the colour of the soil,
from the reek of
sixty days of piss, shit, sweat;
from his
knowledge of each man’s breath, the tension
at the earth’s
heart.
He writes his
letters by the alchemy of truck batteries,
tucks them
gently as eggs
into the
abdomens of white palomas:
news to hatch in
his family’s hands.
He tells how
he’s forgotten blue –
the wink of el Salar de Llamara;
the muscled
flinch of swordfish;
a lone star,
fading. How he knows
morning only
from his wrist-watch,
from the 6am
sudden stringed fluorescence,
from his daily
ration
of half-a-spoon
of tuna, one biscuit, a mouthful of milk.
He holds his notebook upside down,
lets the sheets
fall open like wings:
a pair for every
man down here,
he will leave no page empty.
Note: In 2010, thirty-three Chilean miners were trapped for 69 days.
Victor Zamora, a mechanic,
sent his wife poems in plastic capsules nicknamed palomas ("doves"). The
Chilean flag is known as la Estrella Solitaria (‘the
lone star’).
Stiff and
rum-headed, I roll
from bed.
Already it infuses everything:
I shower under
kettle-hot water,
towel myself
with sachet-thin cotton.
You serve me
toast and orange juice
but the tea I
make myself – tapping
out the pinched
green balls, pouring
boiling water to
the brim
then watching as
they slowly bloom,
uncurl, their
edges overlapping,
one pale
leaf-stalk nudging another’s
unclenched fist
as it reaches up for air.
It’s an orgy of
green: smoky-moss-weed-green
loosened to
decadence, seeping chlorophyll.
A bubble feels
its way along a leaf vein.
Steam plumes in
the kitchen’s cool breath.
I wait until the
colour’s almost sepia,
till morning’s
angles are bowed in reverence;
minutes
evaporate, edging my cup
in beads of
precipitation.
The first sip is
pure light, white composed
of every
spectrum hue; Chinese women
harvesting
fields in vivid hanfu
with baskets on
their backs, women
strong as honey
against a copper sun,
their faces like lanterns strung across the dawn.
_____________________________________
My journey is
with the names of things;
words on a page.
Each one an
island - an archipelago
of letters bound
by sandbars
- anchored in a
milk-white sea.
I climb them one
by one to understand
their hearts. To
know bedrock.
_______________________________________
The Gift
This heart is desert marble
scored with tracks
of
camel, gecko, rattlesnake.
You
place it on my pillow every night:
a
gift offered at the border of sleep
like a passport or a bribe.
It
is cool in my hand,
heavy as a promise. I try to match
my
palm lines to its paths:
some, frayed knots that loop
back to the start;
others striking their straight course to the tip before veering
away, petering out
like a traveler, parched and belligerent.
Only one path bridges the gulf
between stone and flesh –
leaping clear
of
the blunted point and running head-first into my lifeline.
Poems from the collection ‘To Know Bedrock’ (pub. Pindrop Press) and have previously been published in the following journals:
Binge – pub. Envoi, issue 155 (Feb 2010)
Equinox – pub. Cinnamon Press anthology ‘A Roof of Red Tiles’ (Sep 2011)
First Trimester – The New Writer’s ‘The Collection’ (July / Aug 2010)
Bunker
– pub. Mslexia, issue 46 (Aug 2010)
Fibonacci Takes a Walk to Clear His Head – pub. The Frogmore Papers (Sep 2011) under the title ‘Fibonacci Ponders the Meaning of Life’
Palomas – pub. Agenda, volume 46 (current issue)
The First Cup - unpublished
Pilgrimage - unpublished
The Gift – pub. in the Poetry on the Lake 2011 anthology ‘Stone’
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4 - Afterword
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